Meetings
are often necessary evils but this one I am eager to attend. I sit at an expansive table with Bill
Allison, my friend and co-founder of the Book Hunters Club of Houston in, appropriately,
the Founder’s Room at the Grolier Club, New York City. The room is well-paneled and solidly-booked
with shelves of bibliographic publications.
Certainly the ghosts of great bookmen of the past are in attendance as
well. We are seated with approximately
fifteen trustees of the Fellowship of American Bibliophilic Societies (FABS). It is their annual meeting and our club is
being officially accepted into the organization. Bookish congeniality fills the air and also
curiosity at the two Texans who have saddled up for the ride. Being newbies, Bill and I remain fairly
quiet as the meeting progresses.
Incoming FABS president, Michael Thompson of Boreas Fine Art in
Evanston, Illinois, sits to my right.
Much to my surprise, he suggests a FABS trip to Texas for 2017. (One of the primary FABS benefits being an
annual book trip to a host city.) This
is not a spur of the moment idea but something he’s been thinking about long
before the meeting. “We’ve never taken a
trip to Texas before,” he says.
I casually suggest that I could
provide input for such a trip and would be glad to help, as in assist, informally.
Murmurs of delight echo in the chamber.
Information comes fast and heavy after that—planning, past trips,
etc. By the time the meeting is over, I
appear to be a co-chair of the venture: new guy with apparent enthusiasm thrown into
the fire. It will be fun, I say to
myself and Bill.
There are hearty welcomes from all
around as we leave the room. A
particular moment is the serendipitous meeting of Richard Ring, Head Curator
and Librarian at the Watkinson Library in Hartford, CT, who has a common
interest in book collecting history.
He’s just published a book of newspaper columns by Lawrence C Wroth, famed John
Carter Brown Librarian. I mention that I
have a large collection of Wroth association items. There is momentary disbelief-- then I’m a life
member of his Wroth fan club.
The
day is already intense before the FABS meeting.
As a prelude, Bill and I make our way to Sotheby’s to have lunch with
Richard Austin, director of the Sotheby’s book department. Richard and I go back to our college days at
the University of Texas. I hired him to
work with me at Butterfield and Butterfield auction house in San
Francisco. He’s done well indeed from
there. A few items on display for his
upcoming auction are a 13th amendment on vellum signed by Lincoln
and most of the legislators involved, the authorized broadside of the
Emancipation Proclamation printed in forty-eight copies, signed by Lincoln, an
English issue of the first edition of Whitman’s Leaves of Grass, and other similar delicacies. The book department is moving locations
within the building so things are more chaotic than usual but Richard gives us
a tour, introduces us to his cataloguers, and shows us a few consignments that
are in process. He also mentions that
they have thinned the reference collection during the move and tells me of a
young bookseller who now has the material.
We will meet him later in the story.
The lunch at a local Irish pub is filled with book talk and an
appropriate black and tan beer.
Before
we attend the ABAA Fair let me indulge a recollection of our visit the previous
day to the Strand bookstore. Bill and I
have barely disembarked from our plane and we find ourselves browsing the rare
book room of the Strand. The Strand is
the largest general used bookstore left in Manhattan. Their rare book department on the third floor
is accessed by a separate entrance at street level. We take the elevator and soon the scent of
leather hangs in the air. The alcove
close to the rare book department entrance houses a large section of books
about books. I attack it with gusto,
balanced precariously on a small step ladder to reach the uppermost
shelves. The hunt for association items
requires much opening and closing of books so a haze of dust soon surrounds me,
some of the books at full arm’s reach not being handled in quite some
time. A few gems are gathered, most
notably The Houghton Library 1942-1967: A
Selection of Books and Manuscripts in Harvard Collections (1967) inscribed
from Philip Hofer of Harvard to John W Crawford, Jr. both preeminent collectors and
curators. In all, a stack of fifteen or
so books is ready for purchase. Bill is
off poking around in other areas and finds for my Latin American collection a
copy of Jorge Luis Borges’ El Congresso (1971). It is not a particularly rare item but I
don’t have it and the price at $30 is irresistible.
As an aside, there is the usual
grumbling at the fairs by various bookmen that the Strand isn’t what is used to
be, that you can’t find the books one did in the old days, etc. I’ve heard this kind of thing for over
twenty-five years. A reflective
nostalgia seems endemic to book collecting but there are still books to be
found.
We are now on our way to the Armory at
643 Park Avenue for the first evening of the ABAA Book Fair. The Armory is an odd, beautiful
building. Dating to the late 19th
century it is cavernous. You enter through
massive wooden doors into an expansive, darkened foyer, so dark that it takes a
moment for one’s eyes to adjust. We are
surrounded by cathedral-like ceilings, huge chandeliers, and vaguely visible,
life-size oil paintings of forgotten luminaries. We find the coat check and fumble for our
fair tickets. The crowd at the entry is
well-dressed and focused as they file in, two security men stand as gatekeepers
monitoring the swirl. Tables stacked
with book fair guides and dozens of free catalogues from participating dealers
line the entry and an American Antiquarian Society table offers book bags with
the fair logo. The darkness of the
Armory foyer opens into a disconcerting bright light. Behold, the soaring exhibition space becomes
clear and before you are two hundred or so of the best antiquarian booksellers
in the world, their booths filled with top shelf stuff, a veritable menagerie
of delights available for purchase, a collector only restrained by the size and
liquidity of the book budget.
Kurt Zimmerman and Bill Allison |
Bill Allison sees a few Western
Americana items but they are priced at full retail so there is no room for him as
a dealer to buy for resale. We
prioritize a visit to the booths of Peter Stern of Peter L. Stern & Co. and Bryan Bilby of Appledore
Books. They both were kind enough to supply
a free fair pass ($50 value). Peter’s
booth is filled not only with his typical assortment of literary highlights but
also his boss (wife) and his usual wit and good humor. I’ve known Bryan since his bookselling days
in San Francisco. He was a frequent
buyer at Butterfield & Butterfield auction house where I was director of
the rare book department. Bryan is offering
an eclectic assortment of goodies ranging from literature to architecture and
photography. Bryan and I reminisce
together briefly as I browse the booth but this is time for him to make hay so
we move on.
The rest of our time at the ABAA
fair is spread out over Friday and part of Saturday. There is a steady crowd and a lot of energy,
and I ride the wave of it which temporarily relieves my aching legs and feet. Highlights include a fine conversation with
Bill Reese about his latest catalogue for the fair Americana – Beginnings: Cortes to Lewis and Clark 1524-1814 playing
off the Thomas Streeter essay of the same name.
It’s a stunning array of rare early Americana that resembles a 19thcentury
Henry Stevens catalogue rather than the stock of a 21st century
bookseller. The cover item listed at
$750,000 is a unique seventh edition of the Bay Psalm book published in 1693. The book had originally surfaced in the early
1970s at Goodspeed’s according to Reese.
Whereabouts were unknown until recently when the private owner decided
that money for college tuition was a higher priority than an Americana high
spot. I check in later with Bill and he
says about a third of the catalogue has already sold including the Bay Psalm
item. My souvenir from him—an inscribed
copy of the catalogue for my Reese collection.
I also spend time with dealer Lloyd
Currey, certainly the world’s expert in science fiction material for over forty
years. We speak of a mutual friend,
Willie Siros, a former cataloguer at the Ransom Center at the University of
Texas, who collected science fiction and mysteries on an impecunious budget,
but with a knowledge rivaled by few others.
Neither of us had seen the rather reclusive Mr. Siros in many years. I wonder if Siros, an early book mentor while I was in college, still has over
ten thousand fully catalogued volumes of his collection that I
browsed in amazement during my formative years. Lloyd admits a fondness for biblio-association
copies in his subject area and has a shelf of reference books formerly owned by
E. F. Bleiler and the like.
John Crichton of Brick Row Bookshop
in San Francisco is kind enough to inscribe a copy of Franklin Gilliam: Texas Bookman (2014) edited by him. This remembrance of his predecessor was
twenty years in the making with contributions by fellow bookmen, many now long
gone, including F. Warren Roberts, Anthony Rota, Larry McMurtry, Richard
Landon, David Farmer, Peter B. Howard, Andrew Hoyem, and Crichton himself.
Bill and I spend time with Joe
Felcone of New Jersey, another dealer with an interest in biblio-history. His bibliography of New Jersey imprints is a
monumental accomplishment and I recall years ago buying from him a copy of The Chauncey B. Tinker Library (1959)
inscribed by the editor, Robert Metzdorf to Alexander Wainwright. Wainwright was a bookman, collector, and
curator of the Morris L. Parrish collection at Princeton. Felcone corresponded with me in detail about
his friendship with Wainwright and Wainwright’s place in American book
collecting history.
Such talk is like bookman’s caffeine
and we keep on and the immersion goes something like this: I’m pleasantly surprised to meet Seth Glick of
Caliban Books in Pittsburgh. I’ve been
buying books from Caliban for years and Seth and I have exchanged dozens of
emails. His mutual interest in craft
beer provides depth to our relationship.
Shortly after, I see Bob Dagg, longtime San Francisco dealer, who sold
me my first “expensive” book in 1989, a mint copy of Gabriel Garcia Marquez’s
first book in English, No One Writes to
the Colonel and Other Stories (1968).
(I petted it just the other day.)
In search of refreshments at the back of the exhibit hall, I get to
introduce Bill to Ellen Dunlap, President of the American Antiquarian
Society. She has Texas roots where she
started out at the Harry Ransom Center.
A couple of years ago, after a lunch with her and Nick Basbanes in
Worchester, MA, I had a grand tour of the AAS.
Within minutes of this we are greeted by Zachary Stacy and his wife
Erin, an up and coming book couple, again with Texas roots, Zachary currently
works at Heritage Auctions in Dallas and Erin catalogues for bookseller
Brian Cassidy. . . and Bill and I eventually
get to sit down for a cold one.
Thomas Boss of Boston has a bevy of
framed bookplates in his booth across the way.
These were recently acquired at the auction of James M. Goode’s
collection at Heritage Auctions. While
we admire them, Bill Butler, a FABS trustee we met at the Grolier Club and a
law professor at Penn State, re-introduces himself. He is an engaging bookman and our talk soon
turns to bookplates. Bill collects them
and has that seasoned expertise which fosters rapt attention. I start with the basics and ask him how many
bookplates are in his collection.
“About 300,000,” he replies.
Butler almost has to pick me off the
floor to revive me. He smiles, and
somewhat apologetically qualifies this by adding, “But I bought a large
collection.”
This leads to how he stores them (in
special albums), organizes them, etc. He
volunteers to help me track down the owner of an unidentified 19th
century bookplate in one of my Henry Harrisse books. We part ways, invigorated, another book
friend made.
By the late afternoon however, we
can take no more. Or so we think. The decision is made to return to the
apartment for a break. The sky is
overcast when Bill and I spill out of the Armory onto the street. It’s pretty cold. A subway station is not far away but even
closer is the Grolier Club. The previous
visit has not sated my appetite. I want
to say hello to Eric Holzenberg, the director.
We detour and enter with the life-sized oil of Robert Hoe in the lobby
beckoning me to settle in for awhile.
Robert Hoe and Kurt Zimmerman at the Grolier Club |
Eric greets us in the main exhibit
hall downstairs. An unusual and visually
appealing exhibit on four hundred years of board games surrounds us. Eric has been the director of the Club over
twenty years and runs a fine ship. We
communicate sporadically via email and now joke about being Facebook
friends. However, we haven’t spent any
quality time together. I tell him a
story he never knew or simply forgot – that he and I were the final candidates
for the Grolier Club director position back in 1994. For me to make the final interview process at
the age of 27 still seems miraculous. I
was flown to New York by the Club and interviewed by then director, Martin
Antonetti and a search committee consisting of Churchill collector Carolyn
Smith, bookseller James Cummins and others.
In the end, Eric’s experience won out and I was perfectly happy to just
have a chance. Another potential position
at the Club for me was discussed but did not pan out. No regrets and soon after I found myself
hired by Butterfield & Butterfield in San Francisco.
While we converse, it is hard to
miss that an event is in the works.
Around us wine, cheese and appetizers are being set up. My stomach growls.
“We are having our new member
party. You should join us,” Eric says.
No need to ask twice. Within fifteen minutes a cornucopia of book
people file in and Eric brings a member to my attention.
“You’re going to want to see each
other,” Eric beckons.
It is Martin Antonetti, former
Grolier Club director who interviewed me twenty years previously! Martin became curator of Special Collections
at Smith College in Northampton, Massachusetts, after leaving the Grolier Club.
We exchange warm greetings and begin
to talk. Another member with the name
tag “Scott” joins us.
Martin says to him, “Look, the
prodigal son has returned.”
Scott replies, “And now we kill the
fatted calf.”
A good laugh ensues and I soon find
out that Scott Clemons is the current president of the Grolier Club. I also learn he collects the Aldine Press and
is frequently in Houston on business. I
look forward to further book talk over barbecue or Tex-Mex, my treat. Another man enters the discussion, elderly
but still spry, a bookman’s twinkle expressing that the fire to collect still
burns strong. It is Eugene Flamm, former
president of the Club. He tells us
excitedly that he just bought an incunable for his collection at the Fair that
day. Scott asks him how many he has
now. Without missing a beat he replies,
“Thirty-seven.”
Nice. Such banter is what I live for. It only gets better. Bill and I meet collectors Susan Jaffe Tane,
most well-known for her Edgar Allan Poe
collection; Irene Tichenor, author of the definitive biography of Thomas Low De
Vinne who was the famous printer and a founder of the Grolier Club; and Mark
Samuels Lasner, mighty collector of late Victorian literature and art. Mark and I have a fine exchange until he must
go and catch his train. Mark’s another
collector I’ve known about for years but never met. Quite a treat.
Bill threads his own line and has a
lengthy conversation with the head of special collections at Cambridge
University. The Cambridge library is
about to celebrate their six hundredth anniversary. You know you’ve been around a long
time when your library pre-dates printed books. Serendipitously, Bill will be in Cambridge
later this year so he now has a special library tour already lined up. Damn it, a hint of jealousy here on my part .
. . .
Our wine and cheese is reloaded and
the party continues until a couple of hours later when Bill and I close it
down, gathering our coats for a brisk trip into the sleepless city.
“That was awesome,” we both say in
unison.
That night, I will dream of
bookplates and Hoes in infinite quantities.
But this restless sleep doesn’t last
long enough because we are up early on Saturday morning to make the 8 am
opening of the first of two “shadow” fairs.
Such an early start blurs all sense of normalcy for me. I’m a zombie as we stumble into the Wallace
Hall at St. Ignatius Loyola Church, Park Avenue and 84th where a miscellaneous
gathering of regional booksellers offer temptations. Remarkably, many familiar faces are already
there and flourishing and I have a rare regret for not being a coffee drinker.
The ABAA fair does not start until noon
that day so many of the bigger dealers mingle in the booths with the collectors. I spot Richard Austin buying rare fly-fishing
material for his personal collection.
I’d just seen an unusual example on the subject ca. 1914 in dust jacket in another booth. A quick point and he knocks it down with
thanks. Fun. A minute later, Sims McCutchan and his wife Margaret
appear before me. They are fellow
members of the Book Hunters Club of Houston and have made the pilgrimage. Peter Stern, who is also exhibiting at this
fair like a book superman, kindly directs me to some books about books in a
booth across from him. I find my gem of
the show in the booth of Duane Stevens, proprietor of Wiggins Fine Books of
Shelburne Falls, MA. It is a copy of
Jacob Blanck’s famous bibliography Peter
Parley to Penrod inscribed to Matthew Bruccoli with a snarky added remark
by Bruccoli about Blanck that cherry’s the offering—an exceedingly tasty
association linking these two great American bookmen. As a bonus, the book is finely ensconced in a
half leather slipcase apparently commissioned by Bruccoli.
"M. Bruccoli--his book* Duly (under pressure) inscribed by Jacob Blanck. *God knows why!" Bruccoli's comment underneath: "A standard example of his graciousness." |
A short time frame keeps you focused. Bill and I go through the seventy or so
dealer offerings in about three hours.
Certainly we don’t see everything but we each find treasures and make
more connections. On the way out for a
quick lunch, I receive a text from Rebecca Rego Barry, editor of Fine Books and Collections magazine, and author of Rare Books Uncovered: True Stories of Fantastic Finds in Unlikely
Places (2015). We’ve been trying to
link up for our first face to face meeting.
And there she is walking toward me from across the street. She sees me look at my phone and knows she’s
found her prey. Our talk is too short but we are simpaticos
and I look forward to a more in-depth visit at a future book event. And, I read on her blog that shortly after we
met she found a nice item for own collection at the shadow fair.
It is rainy now. We zealously cover our purchases as we
scramble aboard the free shuttle bus to take us back to the ABAA Fair and the
other shadow fair at the Church of St. Vincent Ferrer, Lexington Ave and 66th
Street. In route, we feel a strong bump
from behind as a taxi cab hits us pretty hard at low speed. The cabbie has fallen asleep. Our bus driver chews him out for his
transgression. When he tries to turn the
tables and blame her, she’ll have none of it and her indignation is backed up
by a chorus of support from the bus riders.
A memorable NYC experience.
The second shadow fair also includes a fine press fair and is certainly
a second helping to compliment the first
fair. I get to meet Joe Maynard who I’ve
bought a number of Mary & Donald Hyde items from over the years
online. Besides a good selection of
mainstream collectibles, Joe is prominently displaying an underground magazine
with a photo-shopped image of Hillary Clinton’s head on the body of a
leather-clad dominatrix. “This stuff
always sells,” he says with a grin.
I dig out from another booth a
scarce item by Augustin Daly (1838-1899), important 19th century
American collector of Shakespeare’s works and the theatre. The Daly auction in 1900 would be the spark
that ignited the career of legendary bookseller George D. Smith. I also find an unusual item related to Frederic
Goudy (1865-1937), typographer and printer, concerning his Village Press.
And then I’m done, totally spent
figuratively and literally, at least for the moment, and pizza calls, and we
answer it, and that Saturday night finishes with a closer look at our finds
while the Masters tournament highlights play in the background on TV.
Sunday can be a day of rest and
reflection, but not when you’re on a bookman’s holiday. Book now, pray later. Sunday morning is cold as a son-of-a-bitch
but remarkably sunny and clear. Bill and
I bus to Hoboken, New Jersey in the morning to meet David Klappholz, renowned
collector of A. Edward Newton and a bibliophile with an interest in book
collecting history akin to my own. Dave
also is a serious collector of early Los Angeles tourism ephemera whose
polymath mind can tour guide you through the architecture and history of New
York, LA, Philadelphia, Boston, and probably obscure villages in
Kazakhstan. Although qualified for retirement,
Dave will have none of it and still teaches computer science at the prestigious
Stevens Institute of Technology in Hoboken where he’s been on the faculty for
thirty-one years.
We walk along the waterfront from the train
station to the Stevens campus. The views
of New York City are spectacular along the way. This merry jaunt in our respective Texas
Longhorn and USC Trojan caps is appropriately tempered by Dave’s comment that
during the 9/11 attack the view provided the Stevens’ students with an
involuntary front row seat of horror and many had to seek counseling
after.
Kurt Zimmerman and David Klappholz |
Our arrival at Dave’s office at the
college finds it unsurprisingly stuffed with books about books. I wade in with controlled abandon. Book talk among the three of us flows naturally
and wanders where it will. We break for
lunch and grab a quick and tasty meal at the Garden of Eden grocery store /
deli. Their fabulous display of fruits
and vegetables looks appealing even to a meatasaurus like me. I settle for fresh sushi with a kick. Soon after, we are on the train with Dave
heading to his home in Berkeley Heights.
A train attendant in hat and uniform stamps my ticket and I watch the
trees and suburbs grow thick as the bustle of the city becomes distant.
Dave doesn’t drive much anymore and his
econo-car that he uses to get from the train station to his house barely fits
the three of us six foot plussers, former Mr. Olympias. I imagine a Harold Lloyd silent comedy as we bounce
down the road and then awkwardly unfold ourselves upon arrival. It doesn’t take long before we are deep into
A. Edward Newton and a tour is in full swing:
inscribed books and pamphlets in abundant quantities, letters by the
hundreds, manuscripts, photographs, books from Newton’s library, ephemera and
even the large, elaborate metal sign “Oak Knoll” that once graced the entrance
to Newton’s home in Pennsylvania. Bill
Allison is nodding knowingly the whole time.
Newton is not a specific interest of his but Bill has assembled a
similar kind of single author collection of J. Frank Dobie, the famous Texas writer
and man of letters. All this booking
can be exhaustive (our wives’ eyes are now rolling in unison) and it is time to
rest and eat again, this time dinner at a local diner. Dave wishes us a bon voyage and we catch a
late train back to New York’s Penn Station, arriving around 10:30 pm.
We
have one last book stop the next day before flying out in the
afternoon. If you are still with me at
this point, I say thanks and the ride is almost over. I’m enjoying greatly the recollection of my
trip. And frankly, if I don’t write this
down now the memories will begin to dissipate into vaporous wisps.
Monday morning the book fairs are history and
Dave Klappholz is back at work molding the youth under his charge. The weather today is the best yet and we head
to 30 Vesper St in lower Manhattan to meet Noah Goldrach, a young dealer. Noah has biblio-material from dealer Kit
Currie’s private library and deaccessioned books from Sotheby’s reference
collection. These are the books that Richard
Austin and his staff at Sotheby’s culled during their move. A number of these items have a lengthy
provenance beginning with the American Art Association auction house in the 1920s which was purchased by Parke-Bernet and then by Sotheby’s.
The location of the building on Vesper
Street where Noah has his books is literally at ground zero for the 9/11
attacks, across the street from the 9/11 memorial and museum. Dave’s comments the day before lend balance
to our book focus. Bill and I take a
silently emotional visit to the cascading North tower water memorial that is
ringed with the names of victims, simple and powerful in effect. A deep breath and I imagine the chaos of the
scene and remember.
We meet Noah a few minutes later. I’m struck by how young he is – age 27—especially
when one gets used to mingling with a rather aging population of typical book
people. He reminds me of myself and Richard Austin
when we were fully booked and working at the auction house in San Francisco at
the same age.
Noah’s stock is rather neatly organized
in a room filled with shelves and open boxes on the floor. Nonetheless, he apologizes for not having it
in better order but all I hear is that no collector or dealer has seen the
Sotheby’s material yet. A catalogue is
in the works. We are on a rather short
time frame as Noah must be at the Pierpont Morgan library by noon so we all
chat as Bill and I browse. A small
purchase stack turns into a rather large one.
I know I’m missing a few things and ask Noah to hold aside a box of
early Kraus catalogues. No matter, this
is immense fun and Noah’s natural acumen for books is apparent. There are a few items from Arthur Swann’s
reference library that catch my interest.
Possibly the most appealing association items I find are a privately
printed book of youthful poetry Gedichte
(1983) by H.P. Kraus inscribed to Kit Currie, his long-time employee, who played
a primary role in printing the book, and Lathrop Harper’s legendary catalogue A Selection of Incunabula (1930) inscribed
by Harper and his cataloguer E. Miriam Lone to Lawrence C. Wroth. Other items await investigation as they have
just arrived as I write this. Noah
hurriedly compiles an invoice and tells Bill that this is his largest order
yet. I like to set such records. A farewell and Noah’s young legs quickly out distance
ours.
We
end our last day over lunch at Larb Ubol, a Thai restaurant we discovered the
day before. I like spicy food and rarely
will a place make it hot enough, even upon request. This has potential. A request is made and the waitress raises an
eyebrow and asks again. Yes. My Kao Moo Krob (crispy pork) starts out
medium and builds with intensity. I begin
to sweat and down Thai ice tea in abundance, Bill smiling as he enjoys my
voluntary suffering. I continue on,
hotter and hotter, no quitting, no rest break and the lunch soon resembles the
rest of our bookman’s vacation: full immersion.
Here are few more association finds from my NYC haul:
Lathrop Harper. A Selection of Incunabula (1930) inscribed to Wroth who wrote the introduction to Part II. |
Joseph Blumenthal. The Printed Book in America. 1978. Inscribed to Kit Currie and Abe Lerner. |
David Magee. Infinite Riches. 1973. Inscribed to Kit Currie. |
A.S.W. Rosenbach. A Book Hunter's Holiday. 1936. Inscribed to Mary Hyde. |
H.P. Kraus. Gedichte. 1983. Inscribed to Kit Currie. |
A. Edward Newton. My Library. 1926. Inscribed from David Klappholz to the "Caliph of Conroe" (Me! Playing off Christopher Morley's nickname for Newton.) |
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